![]() In this new era of plant diversification and old fashioned plants, the time is right for the rose of Sharon to obtain her rightful place as the queen of the southern garden.or at least a princess.Īlthaeas grow quickly and need little attention. Most people have quit using Althaeas today in favor of the more popular crape myrtle. Propagation is by seeds, if you aren't picky about the offspring, or cuttings rooted under high humidity. They can be grown as either shrubs or limbed up to small trees. They are, however, susceptible to cotton root rot in areas with alkaline soils. I have had some seed development however.Īlthaeas are very easy to cultivate in just about any soil that is well drained and located in part to full sun, preferring the latter. They seem to bloom a bit earlier and have larger flowers. These new types have grown just as well for me as the old standards. They are: 'Diana' (white), 'Helene' (white with maroon throat), 'Minerva' (lavender), and 'Aphrodite' (pink). Donald Egolf, formerly of the National Arboretum in Washington, D.C., and well known for his many crape myrtle hybrids, developed a series of sterile triploids which have larger, earlier flowers, and little to no seed development. Established in Brenham in 1860, one of the earliest in Texas, Rosedale Nurseries stated in a 1901 catalog: "We can supply about twenty named varieties in Single and Double White, Pink, Red, Purple, and all their modifications and combinations also the Variegated-leaved, with purple flowers."Īlthaeas, in all their forms, are still supremely adapted to our gardens today. Montgomery Nurseries (Alabama) also listed althaea in their 1860 catalog. Thomas Affleck's Southern Nurseries, at Washington, Mississippi, listed "Fine new double Althaeas, a dozen sorts" in the 1851-52 catalog. In a poll of 19 nurseries from 1851-1906 16 of them offered althaea, making it the most popular southern nursery plant, just ahead of arborvitae, honeysuckles and roses. Thomas Jefferson planted althaea seeds at Shadwell in April of 1767 and set out plants at Monticello in March of 1794 and also at Poplar Forest in December of 1812.Īlthaeas were carried by almost all early southern nurseries dealing in ornamentals. In 1759 Miller described seven kinds: "the most common hath purple Flowers with dark Bottoms, another hath bright purple Flowers with black Bottoms, a third hath white Flowers with purple Bottoms, a fourth variegated Flowers with dark Bottoms, and a fifth pale yellow flowers with dark Bottoms but the last is very rare at present in the English Gardens there are also two with variegated leaves which are by some much esteemed." In 1778 Abercrombie called the plant "the greatest ornament of the autumn season, of almost any of the shrubby tribe." Double flowered forms aren't mentioned until 1838 when Loudon said they were common.Īlthaeas have been in southern gardens from the beginning of our gardening heritage. ![]() In 1597 Gerard planted seeds of the "Tree Mallow" and in 1629 Parkinson cultivated it. In China where it has been cultivated for as long as records exist, both the leaves and flowers were used as food. Hibiscus syriacus is a native of India and China. Rosedale Nurseries Catalog, Brenham, Texas, 1899. ![]()
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PowerDirector has more than 100 video editing tools, so there's plenty of other options under a collection of Power Tools (Crop, Rotation Speed and Reverse play including slow-mo), plus a More button for a variety of other editing operations, including more sophisticated operations such as Beat Detection and Content Aware Editing. ![]() PowerDirector 13 offers serious, professional editing. For video clips, these include editing (Split, Trim, Delete and Modify properties/motion/mask), Fix/Enhance (passing clips to ColorDirector) and Audio Edit (passing clips to Audio Director). Next, there's the Timeline itself, with buttons across the top to provide access to various editing tools in lieu of a large palette of icons. When you're done, the result is in the timeline ready to add to your production, and you then can delete the original clips. PowerDirector sets up the multicam interface directly in the timeline - you synchronize up to four clips by audio or timecode, and then switch between them like a live camera switcher. The top of the Media Library window also has an icon for Plug-ins, including the Theme Designer for animated slideshows and the MultiCam Designer. You can now also add video effects on titles. Similarly, use the new Title Designer to build your own animated titles with keyframe controls and even motion blur. You can import any image to use its grey levels to control the transition shape, and then animate with keyframe controls. The new Transition Designer is especially interesting. What makes PowerDirector especially interesting is that these are not just fixed collections of presets - instead, you can design and save your own elements. 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![]() ![]() In addition to their structural and optoelectronic similarity with their lead-based counterparts, the attractiveness of these absorbers relates to their direct gaps in the region of 1.3 eV–1.4 eV, 12 12. MASnI 3, FASnI 3, and CsSnI 3 have been at the forefront of tin-based perovskite research. Since Sn 2+ has a similar ionic radius as Pb 2+, tin allows the formation of ASnX 3 perovskites (with A being a monovalent cation and X being a halide anion), which possess a three-dimensional (3D) structure analogous to that of the mainstream lead-based perovskites. Finally, this Perspective looks at the opportunities beyond single-junction solar harvesting that could realize the full photovoltaic potential of lead-free perovskites in the near future. Subsequently, this Perspective highlights key outstanding questions in the area of lead-free perovskite absorbers for photovoltaics, identifying as a priority area the detailed investigation of their charge transport and defect properties, as well as the role of dimensionality. General strategies that may enable these challenges to be overcome are also jointly discussed. This is followed by a discussion of the most important challenges in lead-free perovskite photovoltaics, with a particular focus on photovoltaic efficiency and stability characterization. It first surveys the main classes of lead-free metal-halide perovskite absorbers-tin-based, germanium-based, bismuth-based, and antimony-based and halide double perovskites (HDPs)-highlighting the most promising solutions explored to date. This Perspective provides a timely fresh look at the status and prospects of the rapidly evolving area of lead-free perovskite absorbers for photovoltaics. Considerable progress has been recently achieved in this area-with their highest single-junction PCE now at 13.2%-despite a research effort incomparably smaller in scale and spanning a much shorter time than lead-based perovskite photovoltaics research. Prominent classes of such absorbers comprise tin-based and germanium-based perovskites and derivatives, antimony-based and bismuth-based perovskite derivatives, and double perovskites. This has spurred researchers to look for alternative metal-halide perovskite absorbers with closely related properties yet lead-free. their reliance on toxic lead is a fundamental limiting factor preventing lead-halide perovskite photovoltaics from reaching commercial maturity as an alternative to silicon-based photovoltaics. Apart from instability issues currently being tackled, 8 8. through remarkably simple manufacturing processes. See for National Renewable Energy Laboratory, 2020. delivering a tremendous rise in single-junction power conversion efficiency (PCE) (now greater than 25%) 7 7. Over the past decade, lead-halide perovskites have reached prominence in photovoltaics and beyond, 1–6 1. The exploration of these opportunities (tandem photovoltaics, indoor photovoltaics, and building-integrated and transparent photovoltaics) could energize the investigation of existing and new classes of lead-free perovskite absorbers beyond current paradigms and toward high photovoltaic performance. Additionally, this Perspective brings to the fore the manifold photovoltaic opportunities-thus far largely unexplored with lead-free perovskite absorbers-beyond single-junction outdoor photovoltaics, which may potentially enable the realization of their full potential. All of this currently hampers a rational approach to further improving their performance and points to the need for a concerted effort that could bridge this knowledge gap. Furthermore, we point out the widespread lack of experimental data on the fundamental optoelectronic properties of lead-free halide perovskite absorbers (e.g., charge carrier mobility, defect parameters, Urbach energy, and the impact of dimensionality). In this Perspective, we first discuss the state of the art of lead-free perovskite photovoltaics and additionally highlight promising directions and strategies that could lead to further progress in material exploration and understanding as well as in photovoltaic efficiency. ![]() ![]() Despite a research effort much smaller in scale than that pursued with lead-based perovskites, considerable progress has been achieved in lead-free perovskite photovoltaics, with the highest power conversion efficiencies now being in the region of 13%. In recent years, lead-free metal-halide perovskite photovoltaics has attracted ever-growing attention, in view of its potential to replicate the outstanding properties of lead-halide perovskite photovoltaics, but without the toxicity burden of the latter. ![]() ![]() ![]() In 2017 the Event Horizon Telescope obtained an image of the supermassive black hole at the centre of the M87 galaxy. (For these observations, American astronomer Andrea Ghez and German astronomer Reinhard Genzel were awarded the 2020 Nobel Prize for Physics.) Supermassive black holes have been detected in other galaxies as well. Observations of stars orbiting the position of Sagittarius A* demonstrate the presence of a black hole with a mass equivalent to more than 4,000,000 Suns. One such supermassive black hole, Sagittarius A*, exists at the centre of the Milky Way Galaxy. Accordingly, the collapse of millions or billions of solar masses of interstellar gas under gravitational force into a large black hole would account for the enormous energy output of quasars and certain galactic systems. A mass of gas falling rapidly into a black hole is estimated to give off more than 100 times as much energy as is released by the identical amount of mass through nuclear fusion. Various astronomers have speculated that large volumes of interstellar gas collect and collapse into supermassive black holes at the centres of quasars and galaxies. Some black holes apparently have nonstellar origins. Discovered in 1971 in the constellation Cygnus, this binary consists of a blue supergiant and an invisible companion 14.8 times the mass of the Sun that revolve about one another in a period of 5.6 days. One of the component stars of the binary X-ray system Cygnus X-1 is a black hole. For example, if a black hole is a member of a binary star system, matter flowing into it from its companion becomes intensely heated and then radiates X-rays copiously before entering the event horizon of the black hole and disappearing forever. ![]() They can be “observed,” however, by the effects of their enormous gravitational fields on nearby matter. Stars with a smaller amount of mass evolve into less compressed bodies, either white dwarfs or neutron stars.īlack holes usually cannot be observed directly on account of both their small size and the fact that they emit no light. Only the most massive stars-those of more than three solar masses-become black holes at the end of their lives.
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To play Devil May Cry HD Collection you will need a minimum CPU equivalent to an Intel Core 2 Duo E8400. ![]() ![]() ![]() LaBar released a solo album, "One For The Road", in 2014.Īlthough CINDERELLA hadn't released a new studio album since "Still Climbing", the band started playing sporadic shows again in 2010 but had been largely inactive for the last few years while frontman Tom Keifer focused on his solo career.īLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The band's third LP, 1990's "Heartbreak Station", went platinum before the rise of the grunge movement effectively killed glam and hair metal, resulting in drastically lower sales for the band's final release, 1994's "Still Climbing". CINDERELLA's second album, 1988's "Long Cold Winter", was also certified triple platinum. It included CINDERELLA's biggest hit, "Nobody's Fool", which reached No. 3 on the Billboard 200 chart and was eventually certified triple platinum. LaBar joined CINDERELLA in time to record the band's debut album, 1986's "Night Songs", which peaked at position No. "In lieu of flowers, please consider donating to the Grammy's MusiCares financial and addiction recovery assistance program." Immediate arrangements are private and a celebration of Jeff's life is being planned for close friends and family. Jeff was an incredibly loving human being and will be missed beyond measure. Rarely was there a picture of Jeff without a smile on his face. Although he had many admirers, Jeff was an even bigger fan of his family and friends, seeing the absolute best in everyone he met. Jeff was like a second father to his siblings Diane and David growing up. "In addition to Sebastian, Jeff is survived by his wife and best friend Debinique, with whom he created an internet radio show 'Late Night with the La Bars', his parents Bob and June, brothers Jack ( Alice) and David ( Victoria),sister Diane ( Jason),sister-in-law Lisa and many nieces and nephews. An animal lover, Jeff rescued cats, spent time taking care of his fish and adored his cat Loki. Sebastian visited his father in Nashville often and loved playing music with Jeff and hearing about adventures from the old days when he was on the road. ![]() He was eternally proud of the man and musician his son became and looked forward to working on a music project with him. " Jeff inspired many of his friends and family to get into music, notably his son and pride and joy, Sebastian. He planned on moving back to Delco as his parents got older, and his mother was excited to have him return with his cooking. He would always make time to talk to his mom for hours every Sunday on the phone, reminiscing and listening to stories about June's days growing up in Japan. While he became a bit of a fan of the Tennessee Titans when he moved to Nashville, Jeff's number one sports franchises were in his hometown, number one being the Philadelphia Eagles, as he never missed the team's games and would always text his dad Bob during them. ![]() He never forgot his Delco roots though and stayed close with all those he grew up with in the region. "Following a move to Nashville in 2004, Jeff quickly surrounded himself with a community of dear friends who he loved to host and cook for at his home there. He would reinterpret dishes that were standards in the La Bar household and add a unique flair. As Jeff got older, a love of music shifted to a passion for the culinary arts, with his cooking inspired by June's Japanese heritage. He would always take her and their family in Japan to the band's shows there, a life highlight for both mother and son. ![]() CINDERELLA had an exceptionally strong fanbase in Japan, which was particularly special to Jeff as that's where his mother June was born and raised. The group toured the world and had numerous charting songs and videos on MTV. "Inspired by his brother Jack to pick up the guitar, he joined the local rock band CINDERELLA, who rose to prominence in the late 1980s with a string of platinum-selling albums. Jeff grew up in Upper Darby, Pennsylvania and went to Upper Darby High School. He was born on Main Darby, Pennsylvania to June and Bob La Bar. He was 58 years old.Įarlier today, the publicist for LaBar's family released the following statement: " Jeffrey Philip La Bar of Nashville, Tennessee passed away peacefully at the age of 58 on July 14, 2021. Jeff was found dead by his wife, Debinique Salazar-LaBar, on Wednesday, July 14 inside his apartment in Nashville. The family of late CINDERELLA guitarist Jeff LaBar has issued a statement regarding his passing. ![]() ![]() ![]() Dice Club) has a message that all the gamers inside us must hear. My expectations were Moderate, and it delivered Slightly Above those expectations.Ģ️⃣Weighted Average System Score: (12 + 6 + 6 + 18 + 14 + 2 = 58/100 points)Īudio Format: Japanese with English subtitlesĮquipment Used: Acer AN515-53-55G9 Nitro 5 Laptop It’s a mistitled anime with a good amount of heart and simple fun to be enjoyed. Keep everything in this review in mind if you decide to give After School Dice Club a try. With that being said, the title is a silly, insignificant squabble.Īmid the obvious flaws of this anime, I found myself enjoying it, in smaller one or two episode doses more than that might cause the viewer to succumb to the dream world due to the slow-pacing and rather Iyashekai story. Plus, there is no “after school club” of any kind except in the sense of a group of close friends hanging out to play games all the time! There’s not even any consistency in the timeframe of when the girls play together, whether it’s after school, on the weekends, during the girls’ summer vacation, etc. After School Dice Club…there is no game in this anime that significantly involves dice. Interestingly enough, the anime’s title is somewhat misleading. She gets exposure in two episodes and it’s easy to see why she’s a strong, capable character, even with her limited screen time. One MINOR character I believe is worth mentioning is Kyouko, Hana’s (Aya’s sister) best friend. They are all charming in their own unique way, Most viewers will be hard pressed not to find them a likeable bunch. The four of them are a pleasant group of characters to watch and explore new, different games with. Although not in the first few episodes, Emilia is a welcomed edition to the group of girls when she transfers from Germany and befriends Midori, Aya, and Miki. Where their backgrounds aren’t explored, their personalities make up for some of that lack of substance. ![]() We learn little to no background to any of them. Both the OP and ED are equally adequate, but unimpressive.Įxcluding MINOR ones, nearly all of the MAIN and SECONDARY characters are underdeveloped. It’s nothing exciting but nothing out of character either. This is one section I do not have much to say, other than audio appeal is satisfactory, especially for this particular anime. One potential way to make simple, slower paced anime more enjoyable is to animate the heck out of it! Disappointingly, LIDEN FILMS failed to that like Studio Pierrot did with Hikaru no Go. ![]() What do I mean exactly? Simply put, for simple show such as this, there are too many times throughout where still scenes were being used with just some noise and music playing in the background. However, the animation is where it doesn’t do justice nor does it make up for the simplistic art style, whereas the anime, Hikaru no Go, does. Arguably, it feels Episodic after the first few episodes with very slow pacing and undeveloped characters, albeit likeable ones.Īrtistic elements and designs are kept simple with no significant richness in color, but the characters and backgrounds are clean looking with enough definition to them add some charm and appeal. However, that’s all that After School Dice Club is really about three friends playing a new type of game each episode. I applaud LIDEN FILMS for taking a non-typical plot and making it into an anime. ![]() From here, the plot centers mainly on their friendship and the discovery of fun while playing these games, which, according to the anime, are not typical fanfare in Japan. Shortly thereafter, they realize that they are in a magical place of various board and card games. Intimidating to the girls at first, things change when they find out that Midori works part-time at this particular establishment. This lighthearted story is about three unlikely friends, Midori (the determined one), Aya (the Eternal Optimist) and Miki (the Shy one), who form their bond of friendship through unlikely means…games! One day late after school, Aya and Miki somehow find their way into this little gaming shop owned by a large man named Takeru. ![]() ![]() ‘New Life’ is out now exclusively on Beatport and will see Dangerouz’s rise to the top of the EDM ladder continue at rapid pace. The American imprint already boasts names such as: BMV, Cutculprit, DJ-Pipes, Mistik, Erik Ev_L, Kwest, Fabyan, Weap0n X, DrGoo, Cali Miles, Chocolate Bear, Iso Raw and DeadRomeo - securing its place as one of the scene’s premier labels. Filled with a powerful kick, perfectly arranged percussion, a filthy Electro bass-line, spiralling synths and superb vocal work, ‘New Life’ has everything you could possibly want in an Electro House record - sure to work clubs and festivals all around the globe.ĭangerouz has once again teamed up with Grimey Grooves Records for the release of ‘New Life’, a partnership that has all the ingredients for a successful record. While not as common as Icy Wind due to it being useless against the popular Ground-types like Landorus-T, it can be used by bulky Pokmon like Lajo's Rotom-W. His new masterpiece comes in the form of ‘New Life’, a collaboration with emerging Ukrainian talent ElectroWeb. The only difference is that Electroweb is an Electric-type attack while Icy Wind is an Ice-type attack. ![]() Since exploding onto the scene, Dangerouz has been making huge noises within the American Dance industry which have landed him opening spots for legendary names like Alex Peace - securing his place as one of the United States’ fastest rising talents. The multitalented DJ and producer, who is no stranger to the Beatport Top 100 charts, is the man behind many hits such as ‘ Kingpin’, ‘Police Raid’, ‘Brenessy’ and ‘ Dynasty’, leading to many A-list labels keeping an eye on his highly skilled productions. It bundles a node. Rising star Dangerouz returns to Grimey Grooves Records for the release of his latest masterpiece ‘New Life’. Electron was developed for building standalone desktop applications. ![]() ![]() ![]() These are sometime referred to as “Lemon” laws. There are State and Federal laws protecting every vehicle owner or lessee when their automobile is defective. How Does it Differ From the FORD Class Action SETTLEMENT? We hear from as many as 200-300 more Focus and Fiesta owners and lessees each day, and are adding clients to the Mass Action Complaint against Ford after a brief intake process. Our firm has now received requests for help from nearly 20,000 Focus and Fiesta owners and lessees of models equipped with the PowerShift Transmission, concerned about their defective transmission that Ford apparently has no universal “fix” for. Many, indeed far too many, have brought their vehicles in for service, only to be told nothing was wrong. ![]() The problem with this transmission will not somehow magically disappear, and the Powershift transmission is clearly defective in some way, though Ford continues to deny that. ![]() Consider, too, parts shortages that prevent warrantied repairs even when the dealer is willing to help, and that Ford has abandoned many owners who deserve assistance. These statements, as reported by thousands of Ford owners and lessees, have been largely false, we believe. Our Mass Action Complaint, filed against Ford on behalf of nearly 10,000 clients, asserts that the manufacturer and its dealerships, as part of an apparent coordinated strategy, actively discouraged many Focus and Fiesta owners and lessees from seeking these repairs by often charging a warranty inspection fee and by, we believe, falsely informing owners and lessees ( according to the Mass Action Complaint filed against Ford by Stern Law) that there was no defect and that the transmission operated normally by advising owners that they’re not driving the vehicle properly to drive their vehicle at high speeds and the problem will disappear that the vehicle will learn the driving style and self-correct with increased mileage that they should speed away from a stopped position to avoid the problem and/or that there are parts on the way that may solve the problem. This publication further points out “the Ford Focus has gone from a solid reliable car to one of the absolute worst in the industry.”įocus and Fiesta owners and lessees of vehicles equipped with the Powershift Transmission are now standing up to Ford. A common course of dealer action has been to re-flash the transmission control module (TCM) and replace clutches, but the transmission problems persist.ĭon’t think your vehicle has been affected by this issue? The Focus and Fiesta models equipped with the PowerShift Transmission have apparently experienced incredible depreciation due to their unreliability, according to this article. There are approximately 1,500,000 current/former owners, and lessees, of the 2012-2016 Ford Focus and the 2011-2016 Ford Fiesta with an uncorrectable and dangerous PowerShift transmission defect that’s been identified in many vehicles, and that Ford continues to say is “normal.”ĭue to a transmission defect in these vehicles equipped with a PowerShift Transmission, thousands of Ford Focus and Ford Fiesta owners have experienced consistent slipping, bucking, kicking, jerking and shuddering while driving these vehicles, and many have reported sudden or delayed acceleration.įord has issued more than 20 Technical Service Bulletins (TSB) on these models equipped with the PowerShift Transmission to alert dealership service technicians about known mechanical issues. If you’re not aware of the details of the Class Action Settlement, you should know the following (you can read the entire Ford Class Action Settlement Agreement here): ![]() Are you a current or former owner, or lessee, of either the Ford Focus (2012-16) or Ford Fiesta (2011-16) equipped with a PowerShift transmission?Īccording to a Notice published July 7, 2017, a recent Ford Class Action Settlement affecting owners and lessees of the 2012-2016 Ford Focus and the 2011-2016 Ford Fiesta vehicles equipped with a Powershift Transmission is awaiting final approval on October 2, 2017, and, IF that occurs, every owner or lessee who has not opted-out by September 5, 2017, will be bound by the terms of the Ford Class Action Settlement. ![]() |
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